Thank you to Ian, Amy, Adam and Christine, for the amazing gift and for believing in Indie Launchpad. It means a lot to me.

• Band / Artist : A Life of Science - mySpace
• Genre : Electro / Rock
• Sample Track Download : Yacht Life
• Buy CD : N/A
• Buy Digital Download : iTunes - Amazon
• Rating : 9 out of 10

Of the many albums that I’m asked to consider for review, it’s often not much more than a few songs that capture my imagination. This was pretty much how it was, for The Apneist. One song in particular caught my attention, “Barnacles of Time”, and was used in a recent podcast. It wasn’t until I had a chance to really sit down with the album and to pur over the sleeve notes, that I was able to fully experience the story that unfolded before me.

Set in a distant future, the hopes of mankind have fallen on the shoulders of “John”, whose whole life has been engineered by his parents for the greater good. Born on the same day as “Sarah”, his kindred spirit, when they become too close, the powers that be, see fit to separate them, and so begins “John’s”, isolation and his goal, to create a robot that will end all war, at the same time, never forgetting his true love.

The style of the album, sways a little between electronica, pop and rock, with an element or two of screamo. Yes you heard me right, I said screamo, but don’t let that put you off the album. While there are a few songs, that feature this, they are very much in context with the gloom and desperation that underlines the whole album, and are used to good effect. While I feel theres not many songs that could be potentially used as singles, that’s really not what this album offers. This is an album, of a kind that’s not often attempted, let along successfully. To me one of the best examples is Jeff Wayne’s, War of the Worlds, a sheer classic adaptation of H.G. Well’s book of the same name, or The Who’s, Tommy.

Opening with the whimsical title track, it’s easy to be fooled into thinking this is going to be some light weight, electronic, ballad album. However as “Barnacles of Time” begins, a darker side begins to emerge. This for me is the highlight of the album, with soft emotive vocals, backed by a wonderful electronic score.

The beginning of the album has an air of desperation, but it’s soon replaced by frustration, bordering on hate, which is very evident in “Carving a Canyon”. The point of this review however isn’t to pick apart the album, but to review it as a whole. As I mentioned earlier, you get a much better sense of immersion by reading the liner notes, included with the download, as a PDF file. For those wanting even more background, there is also a full comic available for purchase, which I have to say is wonderfully illustrated and gives even more background information, making the album really come alive.

Conclusion : An absolutely wonderful find. Whether you consider it a rock, electronic or concept album, there is much within to delight and enjoy. Certainly one of my top finds of 2009.

• Band / Artist : Inara George - mySpace
• Genre : Alternative / Folk Rock / Pop
• Sample Track Download : N/A
• Buy CD : N/A
• Buy Digital Download : iTunes
• Rating : 8.5 out of 10

I like to think I have a pretty eclectic and open mind when it comes to music. However, every now and again, I find my self discounting an artist or band at the slightest of challenges. Case in point, Inara George. For whatever reason, subconsciously kept thinking this was going to be some kind of Aboriginal or Maori music and just passed on by. Let me clearly state, I don’t have anything against Aboriginal or Maori music, but it’s not usual fayre of Indie Launchpad, and with so many artists and bands to investigate, one or two do manage to slip through, that shouldn’t. Anyway, yes slap me silly with a wet fish, imagine how stupid I felt, when I actually took the time to delve a little deeper and found what I can only describe as an absolutely amazing artist.

The album opens with, coincidentally enough, the first track of Inara’s I ever heard, “Surprises” and to say my socks were blown off is and understatement. I immediately replied to the email from Inara’s record label and upon receiving the album, voraciously ingested the album with relish. With a wonderful voice, that reminds me a lot of the early Suzanne Vega, with a hint of the musical stylings of another indie artist, Ingird Michaelson, the album, is exceedingly easy on the ear. Many of the songs like “Surprises”, “Accidental” and “Can’t Say No” feel somewhat upbeat, even though they are laid back tracks, there are a few tracks like “Bomb”, “Where to Go” and “Captured” that have a more darker tone, however this is shrouded with amazing vocals, and works out well, giving the album some nice contrast.

For me the stand out tracks on the album, would have to be “Surprises” which I have absolutely played to death and still love, “Bomb” which was recently KCRW’s top tune, “Bottlecaps” and “Captured”.

Conclusion : For anyone with a penchant for wonderful female vocalists, like me, this album is a total no brainer. For anyone that is looking for great vocals, with that little quirk of wonderful, do yourself a favour and head straight to your favorite digital download service.

• Band / Artist : Emmet Swimming - mySpace
• Genre : Rock / Alternative
• Sample Track Download : The Dance
• Buy CD : N/A
• Buy Digital Download : iTunes - Amazon
• Rating : 9 out of 10

Emmet Swimming is a band that while they’ve been on my radar, I somehow hadn’t manage to pin them down for a listen. Until now. After receiving an email from one of the many PR companies, I have a wonderful relationship with, I figured now was the best time to at least have a quick listen, to see what they were all about. And in a word, or maybe two in this case, “Hoochie Momma”. This is a band that are no strangers to the rock scene, having been around since 1991. Indeed they have had 3 albums with Epic Records, but in 2000 took an extended break. After listening to the first track on this EP, I gather things maybe went a bit sour. This EP was originally released in 2003, but I’m hoping that it will be a bigger hit second time around, as I definitely want to hear some new stuff from this, my new awesome find.

The EP is available in 2 versions. Digitally from iTunes, it comes with 4 tracks and 1 bonus track. From Amazon, also digitally, it comes with an additional bonus track.

The EP opens with “The Dance” which is a fantastic slow burner. Straight out of the gate, it’s the vocals that hit you. They remind me a lot of Brad Roberts, without the quirkiness, but they’re deep and wonderfully powerful. On this track there appears to be something of a backhanded comment, regarding Epic, which I find interesting. I’m guessing the label figured they’d run their course and didn’t want to do another record. Well this EP is well and truly a one figured salute (two figured in the UK) to Epic.

“Don’t Call” is again a slow burner, featuring a different, not so dark sounding vocalist. There’s no denying though that it’s a wonderful track. In fact this is the track that really got me hooked on Emmet Swimming, but I now find I much prefer “The Dance”. “Heart Like an Eskimo” again features “The Dance” vocalist (I need to learn my vocalists), but the song is much lighter, reminding me at times of a happy Nick Cave.

“Joanna at the Door”, is an interesting song, which wouldn’t sound out of place in the Pulp Fiction movie, but I’m afraid it does nothing for me. It has that latin rock sound, and indeed the lyrics are all in Spanish, but it feels most definitely like the odd song out. There is however an interesting guitar solo, about 2 third of the way in, that goes on for the remainder of the track, which goes some way to lightening up how I feel about it.

We’re now into bonus time. The 1 extra bonus track from iTunes is “Door 2″. Flagged as explicit, it’s not quite the racy track, that the term explicit always has me expecting. It’s a very grunge sounding track, and relatively short at just over two and a half minutes. The second extra bonus track on Amazon, is “Waving at Cars”, a very upbeat track, which rounds off the EP nicely.

Conclusion : I’m hoping I haven’t come to Emmet Swimming too late. Yes this maybe a 2003 re-release, but if you don’t have it, I’d say it’s a definite purchase for your collection. Here’s hoping for a new release, sooner, rather than later.

• Band / Artist : David Condos - mySpace
• Genre : Acoustic / Folk / Country
• Sample Track Download : N/A
• Buy CD : N/A
• Buy Digital Download : iTunes
• Rating : 7.5 out of 10

It’s funny, I can’t remember how I found out about David Condos, but discover him I did and even managed to download this EP at no change from his website, though not sure this is still possible. I make many comparisons, for the artists and bands I review. Most of these comparisons are usually of household names, but every now and then an indie artists will slap me about about, when I hear something and that was the case here, where I very much reminded of the Jacob Jeffries Band. The music style is fairly different, but the vocal styles have a very similar feel.

The EP starts with the title track, opening with some wonderful cello. Immediately I was enamoured. I hadn’t heard of David Condos before, but on investigation, found he released a full album in 2006, called “Smoking City”. There’s a strong maturity in the overall sound. At times there are many layers, intertwined to form a kind of cacophony, but it’s a noise that draws you in. “Don’t Look at Me Like That”, has a lighter sound and while the name Marc Bolan kept brimming to the surface, I kept trying to suppress it, unsuccessfully I might add. That cello also returns and it almost acts like another vocal accompaniment. The third and final track, “Finding Yourself There Now”, has a much lighter feel, with it’s almost spring time, meadowy feel.

Conclusion: While it’s hard to build up a complete picture of David Condos from this 3 track EP, there is enough here to enjoy and indeed make me want to hear a full length album.

• Band / Artist : Yim Yames - mySpace
• Genre : Acoustic / Folk / Country
• Sample Track Download (Sign Up) : Behind That Locked Door
• Buy CD : Artist Site
• Buy Digital Download : Artist Site
• Rating : 8 out of 10

This is an EP that immediately jumped out at me from the email in my inbox. George Harrison is probably the most underrated of the Beatles, though lately his popularity seems to be on the rise. This EP is a tribute to the Beatle most overshadowed by the pairing of Lennon and McCartney, however this didn’t put him off perfecting his craft. It was only when the Beatles disbanded, that a veritable torrent of songs poured forth, resulting in 1970’s All Things Must Pass, triple album.

Opening with “Long, Long, Long”, which while not my favorite Harrison song by any means, sets the scene for the EP, with it’s haunting reverb and stripped back production. “Behind That Locked Door”, originally had a kind of blue grass flavour, but here that is mearly hinted at, with a more sripped back acoustic sound. “Love You To” is one of my favourite Harrison, Beatle’s era songs, as it has the most wonderful harmonies. Whilst those are not present here, Yames’ interpretation is in keeping with the rest of the EP. There’s also a really dark overtone, that brings Jeff Buckley’s name to mind, especially the angst ridden screams.

The song that proved both a blessing and a curse to Harrison, was “My Sweet Lord”. Whilst it’s Hare Krishna infused chants, proved moving, even to the most devote non believers, it’s the protracted lawsuit that ended up overshadowing the song. The cover here, whilst much shorter, has a wonderfully personal feel. Gone are all but the merest hints of the chants, but it still manages to be a moving song, and one for which Harrison will always be fondly remembered. “Ballad of Frankie Crisp (Let it Roll)” was always one of my favourite tracks on the All Things Must Pass album. Here’s it’s ably covered, but theres just something about the piano accompaniment that feels a little off. I’ve listened to this EP a few times, and it’s always the thing that jars me, albeit the only thing.

Rounding off with the title track, of the 1970 album, you really begin to feel that this was a kind of memorial in music. The ethereal sound is present throughout, which pretty much means this will end up as late night, kick back and veg out kind of EP, which is fine by me as I sit here listening on headphones at nearly 2 in the morning.

Conclusion: This is an EP that while clearly shows Yames’ love and respect for Harrison’s songs, some might find hard to access. Perseverance will leave you with a wonderful EP and a great homage, to a wonderful musician.

On top of this, Google in it’s infinite wisdom, is playing silly buggers with Feedburner feeds, which this site uses, as does the podcast and I think I’d prefer to fiddle about in the background and make sure everything is running smoothly, before getting up a head of steam and potentially causing myself unnecessary headaches.

So what does this mean for people who have already submitted material to Indie Launchpad, well nothing. Your music is still in review rotation and I will get to it when I find some time to actually start listening again. While I am not actively contacting bands and artists, you are still more than welcome to approach me through the usual channels, and partners with whom I have a working relationship, may still continue to submit. Anyone contacting me for review, will be made aware of this post and will then be able to decide if they still want to submit.

So this is by no means a goodbye note. I just need to finally try to get my priorities in order and then I can focus on the things I truly love, with Indie Launchpad being very much a part of this.

Anyway I will cross post this on the main Indie Launchpad site and the Podcast site, just so I reach everybody. I’m not going to post any artificial dates or timelines, suffice to say it will be sooner rather than later. You’ll still probably find the odd review being posted here, so that should put your mind at rest, that I haven’t vanished off the face of the earth.

Thank you to all the artists and bands who have made Indie Launchpad a sheer joy. Not forgetting a very special thanks, to you, the reader, who hopefully has found many great bands and artists to purchase music from.

Here’s looking forward to a reinvigorated Indie Launchpad coming to a web browser near you soon.

Thanks, Colin

• Band / Artist : Jim Boggia - mySpace
• Genre : Rock / Pop
• Sample Track Download : N/A
• Buy CD : amazon
• Buy Digital Download : iTunes
• Rating : 9 out of 10

The instant I had the fortune hear Jim Boggia sing, I knew in an instant that this was going to be a special album, that I needed to get my hands on. This 10 track CD opens with “Johnnie’s Going Down” and I couldn’t help but draw comparisons to one of my favorite current indie artists, Mike Viola, solo artist and member of the Candy Butchers and Lurch. This turned out to be quite an apt comparison as Mike and Jim gig together quite a bit and I get the feeling they are quite good friends. “To and Fro” also shares that Mike Viola pop vibe, and is truly a wonderful track.

It was the third track, “No Way Out” that really made my ears prick up, as this is where I feel Jim really begins to come alive. While the previous two tracks are more conventional pop, this track has a much more soulful, earthy tone. In fact it reminded me a lot of Rod Stewart, but the Rod Steward of old, when he was in the 60s band, The Faces. “So” is another track that really blows me away, as there is a wonderful emotive quality to Jim’s vocals that are quite mesmerising, as indeed they are for the following track “Nothing’s Changed”.

“8 Track”, shakes things up a bit, but this is more rock, that the poppy sound of the first two tracks. The title of the song is very apt, as there is a great 70’s rock vibe to this track, very reminiscent of George Harrison in his solo days. Talking of George Harrison, be sure to hunt around on Jim’s site for a cover of one of my favourite Harrison songs, “Wah Wah”. It’s funny how one minute I can kind of criticise for sounding 70’s, 80’s etc, but the key is being able to use these influences and firmly place your stamp on them, which Jim does exceptionally well. “Listening to NRBQ”, has that very 70’s AM sound and it just brings visions of convertibles and wind in your hair, on a sunny day, with the girl of your dreams in the seat opposite.

“Chalk One Up for Albert’s Side”, again has a hint of in this case, Steely Dan, but it’s the wonderful vocals, that firmly have the name Jim Boggia in your head as you are listening to them. The penultimate track, “On Your Birthday”, is a very short and whimsical track, and whilst pleasant, feels a little like a filler. This however cannot be said of the final and in my opinion, best track on the album, “Three Weeks Shy”, a story of a soldier killed 3 weeks before returning home. Those Rod Stewart syle vocals return, to this final and indeed longest track, at a tad under 7 minutes, an amazing way to draw a wonderful album to a close.

Conclusion : An album that starts of one way, but turns about face, from pop to more emotive rock. Certainly an artist whose CD will remain in close proximity to my stereo for a good while yet. If you like your vocals with heart, whistle on down to your music outlet of choice and whack down some folding stuff, pronto.

• Band / Artist : Lloyd Dobbler Effect - mySpace
• Genre : Rock / Alternative / Powerpop
• Sample Track Download : Stranger
• Buy CD : CD Baby
• Buy Digital Download : iTunes
• Rating : 8 out of 10

Lloyd Dobbler Effect sounds like something Doc, from Back to the Future would be looking for to generate the jigawatts of electricity need to bounce around in time. In fact it’s a Washington DC based band, that have a wonderful and energetic sound. There’s certainly no lack of musicanship on the 15 tracks on this album, which is not surprising as the band does around 200 gigs a year. With a hard rock sound, softened by more pop biased vocals, there is a nice balance between blowing the cobwebs out of your ears and lulling you into a false sense of serenity.

The album opens with “Have Faith” which for me, has a oddly soft rock feel, but really loosens up when the chorus chimes in. This is a funny track, as I could really feel it growing on me as the song progressed. “Radio” for me is where things really seem to fall into place. For a lot of songs on the album, I kept getting an 80’s slap across the head. It’s nothing really definitive, just a riff here and a lead in there.

While I really enjoyed the album, there was not enough here for me, that had a definitive stamp on it, a sound that would would allow me to pick out this band on the radio for instance. That being said, there’s some tracks on here that are real gems including the previously mentioned “Have Faith”, “Radio”, “The Past” and “I Have the Touch”.

Conclusion : There’s no denying the talents of this band. With such a touring schedule, I imagine they are pretty hot to see live. It will be interesting to keep an eye on this band, to see how they develop, but if you enjoy 80’s/90’s rock / pop then I think this will be right up your street.

• Band / Artist : Gentry Morris - mySpace
• Genre : Pop / Acoustic / Folk
• Sample Track Download : Thank God
• Buy CD : CD Baby
• Buy Digital Download : iTunes
• Rating : 9 out of 10

Gentry Morris is an artist from Bangor in Ireland, who I’ve been hearing a lot lately on the various podcasts I listen to. It’s funny how they all seem to have targeted in on the first track on this EP, “Rene”, which is a pleasant song, but only shows a mere glint of his amazing talent. When I first heard him, I was at once reminded of one of my all time favourite indie artists, Paul Melançon. There’s a quality to his voice that is eminently listenable and when he lets go, there is an amazing flow of raw emotion. “Rene” is more a pop song, with a loose flow, which is enjoyable, but I saw that glimpse of brilliance and wanted more.

The four tracks that follow, could really hold this EP together all on their own. “The Box” is a fairly laid back track, with minimal musical accompaniment, but man when that voice starts to sing, there’s an incredible power, that you know is being harnessed and the reins skillfully let out when needed. “My Heart” shows a looser side and is more of a pop style I prefer when compared with “Rene”, which feels like a track produced to cater to peoples needs, rather than “My Heart” which is more Gentry Morris, well that’s my take anyway.

The last two tracks that close the EP are very laid back and melancholic, but for me this is when the EP really begins to smolder. “The Waltz” is where I feel Gentry’s voice really starts to come into it’s own. The production on the vocals is great, allowing them to soar, without distortion or hindrance of the music. “Thank God” is much less melancholic, but a real slow burner nonetheless and the perfect track on which to close.

Conclusion : A stunning EP from an artist that deserves to go far. I’m really hoping to hear a full length album in the near future, from this most exceptional talent.

• Band / Artist : Migrating Birds - mySpace
• Genre : Acoustic / Rock
• Sample Track Download : N/A
• Buy CD : Amazon
• Buy Digital Download : iTunes
• Rating : 8 out of 10

Migrating Birds, may not be a name that rolls of the tongue, but the music rolls off the ears, like a silk scarf, flowing down a sows ear. OK, maybe not the best of analogies, but hey nobody said I was perfect. Suffice to say, this four piece band have a wonderful sound, that at times harkens back to Gong, albeit the more intelligible, musical Gong tunes. They also remind me of a more recent band, Hopewell, with an at times, almost ethereal, smattering of the psychedelic.

This four track EP opens with “Fearless”, which starts very deceptively, sounding very much like the earlier mentioned Hopewell. The track then morphs into something a bit more upbeat, but with a very intriguing vocal style. This for me is the standout track on the EP, and very rightly placed as the first track on the EP, smacking you squarely in the face.

The track “Atari vs Commodore” came as something of a surprise, as it has a strong British overtone, with mention of pram wheels and Paninni stickers. It’s roots are firmly in the days of the 80’s computer scene. It’s a fairly whimsical track, but really strikes a chord with me. I have to say though, I’m a little disappointed they didn’t even mention the ZX Spectrum, cos we all know the Speccy was the best. Delving a little deeper though, I found the band’s members each hail from a different country, England, France, Canada and the US, which goes a long way to explaining this eclectic release.

“Summmer’s Treasure” again has that vocal style tinged with psychedelic angst, but it is so easy to listen to. I have to admit though, this may not be the case if this were the style running predominantly through a whole album, as I think things would then begin to sound very samey.

The EP rounds of with the title track, “Migrating Birds”, a more upbeat, rock number which again sounds like it’s influenced by the BritPop sound of the 90’s. It’s a great way to round things off.

Conclusion : A great first EP, that shows the bands ability to keep the listener on their toes. Looking forward to a full length release hopefully in the near future. Certainly a band to watch out for.

• Band / Artist : boyandroid - mySpace
• Genre : Rock / Pop
• Sample Track Download : Thommy
• Buy CD : Band’s MySpace
• Buy Digital Download : N/A
• Rating : 8 out of 10

I love discovering new bands, especially when they are a little off the beaten track, as are boyandroid, a four piece band from Munich, Germany. As in the best tradition of Abba, you’d never know this band were from Germany, in fact they remind me a lot of Panic at the Disco and to a certain degree, Fall Out Boy, with their own style of emo/pop/rock.

The EP opens with a title very reminiscent of Panic at the Disco, “Magnify Insects Under Bright Light”. It’s an OK song to open with, but lacks a certain something. “Thommy” is an interesting track, that has a nice progression. It’s fairly laid back and mellow,but does have it’s moments of fire, with a very interesting, almost Hammond organ sound.

“Bottles as Ashtrays”, apart from having an awful title, is a wonderful track. The emo sound is a distant memory, replaced instead with a wonderful, style of pop, that could almost be ColdPlay on speed. It’s also the shortest track on the album at a tad under 4 minutes, the other tracks being on average 5 minutes. “Goodby and Farewell” is for me the track that pulls everything together. It’s got a wonderful, intro that lasts well over a minute, and has that wonderful hypnotic monotony that I love. A cracking track. Bringing the EP to a close is “Centurion”. At well over 6 minutes, this is the longest track on the album, and again has that hypnotic style I love. It a track that knows where it wants to go, but is in no hurry to get there.

Conclusion : A wonderful German discovery, which I hope isn’t the last. I much prefer the latter half of the EP, and although I like emo on the whole, feel this is a band that would do much better to push their own style of rock/pop.

• Band / Artist : Plushgun - mySpace
• Genre : New Wave / Electoacoustic
• Sample Track Download : N/A
• Buy CD : Tommy Boy
• Buy Digital Download : iTunes
• Rating : 9 out of 10

With a ton of unsolicited gems coming in from various Indie Launchpad partners, I sometimes have to put together a random sampling from various places, sit down and see what I’ve got. This was the case with the new EP release from Plushgun, and I have to say I was pleasantly surprised. Not that I should be. In building up the relations I have with some of the greatest labels, management and publicity companies, it should come as no surprise that they pretty much only send me stuff they know I’ll like.

Opening with “Just Impolite” again, it’s the production that hit me first, with a wonderful 3D surround sound, that really impressed me, especially seeing as I wasn’t wearing headphones. The style of music is very reminiscent of OMD, or Orchestral Manoeuvres in the Dark for the unenlightened, who weren’t old enough to live through their music in the 80’s. That 80’s sound is very prevalent, but it reminds me more of 80’s soundtracks, especially the moments in the movies, that have that double edge, between despair and hopefulness. Think John Hughes and any one of his great movies from the 80’s like 16 Candles, Trains Planes and Automobiles, and Pretty in Pink and you’ll be pretty close. The second track “14 Candles” is almost an indirect nod to this 80’s genre. Don’t however think of this as some cheesy throwback to the 80’s, this is very much music for today, but with a heavy influence that’s been embarrassed to the full.

“How We Roll” takes the 80’s influence to the next step, going for a more frenetic, power driven beat and it’s just a wonder to behold. The final track “Without a Light” begins almost like a Vangelis track, but then in kicks the drums and heavy keyboards and you realise that this EP is not going our without some kicking and screaming, metaphorically speaking anyway.

Conclusion : A wonderful find, from a wonderful artist. Plushgun have a new album, “Pins and Panzers”, due in Feb of 2009. I shall be looking forward to that with baited breath.

• Band / Artist : Dystopian Dreams - mySpace
• Genre : Rock / Acoustic / Experimental
• Sample Track Download : How FAte Works
• Buy CD : Bands MySpace
• Buy Digital Download : N/A
• Rating : 7.5 out of 10

This is one of those CD’s that blurs the line between CD and EP. With 7 tracks, and a running time of a tad over 31 minutes, to me this is a short album, but the band call it an EP, so who am I to argue.

I put this EP back on, after writing another review, and the thing that smacked me was the gorgeous guitar work, which was mixed just right, giving the most wonderful sound, real ear candy. However the same cannot be said for the vocals, which for me, were a little washed out in sound and a little uninspiring lyrically. Actually lyrically uninspiring is probably a little harsh, as it’s quite difficult to actually concentrate on what is being sung. This also pretty much describes the song that follows, “How Fate Works”.

With “Comablues” the vocals problems seem to have been addressed to some degree, but I have to be honest, by this stage it’s not the vocals I want to hear, it’s the wonderful, and rich sounding music. For me, these tracks would really pop, if the vocals were totally removed. I hate sounding harsh, but when you get a disconnect that’s so great, maybe it’s better to disconnect totally. That being said the EP seems to be really warming up, with “Sweet Humanity”. The vocals manage to hold their own and this is the first song, that feels like words and music are complimenting each other, rather than fighting for top billing. Similarly “Keep Coming Back” is definitely more refined and feels a more complete track.

“I Would” has a fairly different music style, and is the first track where I feel the vocals are the driving force. The production is much more balanced and I think should give the band a benchmark to work too. Finishing off with “The Aftermath” again, it appears that the latter part of the EP, is where the vocals really come together.

Whatever hangups I have about the vocals, the music throughout is first class, musically and in production. Seeing as this is an all acoustic demo, I have to say it’s pretty well done and with a little bit of work on the vocals, this EP could be amazing. As it is, it’s still rather good and certainly deserves a place in your collection.

Conclusion : A great EP, slightly marred, but managing to redeem itself with wonderfully vibrant and lush music.

• Band / Artist : School for the Dead - mySpace
• Genre : Pop / Rock
• Sample Track Download : This Time it Looks Good
• Buy CD : Artists Store
• Buy Digital Download : iTunes
• Rating : 8 out of 10

Although I only reviewed the last release from School for the Dead, back in January, it was actually released in 2004. To say I wasn’t expecting to see another release so quickly after the last review was a bit of an understatement, but there in my mailbox, was the new release, A Telephone Built for Two, and I have to say, after the previous album, I had high expectations.

The CD opens with “Periscope” and that infectious brand of pop hits you square between the eyes. I made the comparison before with the Indie powerhouse group, They Might Be Giants, and indeed there is much the two bands have in common, but there is also definite School for the Dead DNA running through these songs, which is no doubt mostly down to Henning Ohlensbusch, principal songwriter, lead vocalist, guitar, etc. This guy has music in his pores and it shows. That’s not to forget the rest of the band, who manage to round out the sound and remind you it’s not all a one man band.

With some bands, probably quite unfairly I’m looking for that killer track, one that burrows into my brains. With A Telephone Built for Two, I was pleasantly surprised to find not one, but three such tracks. The first is “Save My Place”, a wonderfully simple song, but it really manages to burrow like a happy maggot. Next is “Journal of Lies”, which has a wonderful quirky keyboard arrangement, which reminds me of the soundtrack to the kids movie Bugsy Malone. The third track is “Superhero”, which I have to admit really has that hint of They Might Be Giants flavour, but it’s certainly a nice condiment, making a track to savour.

There were a couple of tracks, that felt a little unbalanced with the rest of the album. The first of those is “Feels Like I Should” with some very forgettable 80’s sounding synth, featured at the beginning and towards the end. The other is “Back to School” with a very awkward country guitar accompaniment, which was certainly not my cup of tea. It’s funny though, as the song itself is very pleasant, but every time that guitar kicked in, I could feel those hackles rise, so to speak.
“Disgruntled Lover” was also a bit of a no no for me, or so I thought, as it has a kind of false, rockabilly start, which I hated, however after 16 seconds the song starts anew, and even though there is still a rockabilly/country flavour it’s not as alarming.

The album rounds off with the wonderful, “Thinking of A Time”, which at first could be the theme tune to Flash Gordon, and then almost morphs into Dolly Parton’s “9-5″. Surely two of the most incredible comparisons to be given to the same song, but it works wonderfully.

Conclusion : So were my great expectations met? They certainly were, with more great pop from an artist I thoroughly enjoy hearing from. Looking forward to what the next album brings, hopefully sooner that 4 years time.

• Band / Artist : Passenger - mySpace
• Genre : Alternative / Acoustic / Folk
• Sample Track Download : Do What You Like
• Buy CD : Amazon
• Buy Digital Download : iTunes
• Rating : 9.5 out of 10

I don’t why I get so surprised when I receive an unsolicited CD that just blows my socks off, as was the case with the Passengers’, Wicked Man’s Rest. This year has been a truly amazing one for killer albums and this one is right up there in my top 5. In fact it’s in rare company, as one of the albums that’s I’ve hesitated to score 10 out of 10, but I think that kind of perfection has to come from an album of mythical proportions, however this is as close as I think I’ll ever get, but I’m happy to be proved wrong.

Opening with the title track, “Wicked Man’s Rest”, it instantly grabbed me, and brought to mind another UK band, Mike Skinner’s, The Streets. The vocals are not as loose as the almost lackadaisical Skinner’s, but that urban vibe is certainly present. I love the start to “Night Vision Binoculars”, which features what can only be described as one of the old Casio VL-Tone keyboards, that were popular in the 80’s. Don’t let that fool you though, this soon breaks into a full on assault of cracking music. “Things You’ve Never Done” is a really interesting track, not because it’s a gentler, more emotional track, but because it has a flow and lyrical feel that is very reminiscent of US folk Icon, James Taylor. Don’t let that put you off, this is no has been granddad folk, this is a wonderful track that tips a nod to a legend, but manages to pull off a style all it’s own. This style flows over into the next track “Girl I Once Knew”, which has a wonderful piano accompaniment, and that instrument that is like a Zither, where you hit the strings, the name of which I can never remember, but then it may just be a synth sound, nevertheless it’s a wonderful added touch.

The tempo and energy level starts to ramp up again with “Do What You Like”, featuring an almost relentless acoustic guitar, that is just wonderful. “Needle in the Dark”, features vocals that are almost spoken and it’s here that I suddenly realised the lead vocalist was English. Listening back over the previous tracks again, indeed the English access is apparent, but it just seemed to burst forth starting with this track. “Four Horses” is a peculiar little track, as it’s very much a folk song in the James Taylor mould. At first I thought it an odd track, but it wasn’t long before I was won over completely.

“You’re On My Mind” features some wonderful keyboards, almost sounding like bells, evoking a wonderful, almost wintery atmosphere, and then bang, the track is off on a different tack, normally something that drives me nuts, but this atmospheric sound returns and exits, giving the track a kind of split personality, but it works beautifully. The production on this album is wonderful, with little sounds and effects, that really feel like they’re been craft, rather than just slapped together with no thought. This is highlighted in the track “For You”, which starts of with what sounds like a music box. There’s also some great guitar and not forgetting the great vocals. I could witter on a mile a minute, about the soundscape on all the tracks when I listen back over them.

For me, it’s the final two tracks that totally blow me away. “Walk In the Rain”, has that passion and drive, that just sweeps you up in the emotion. The strings are a nice added touch. This is one of those tracks that you can feel makes your heart beat faster and for me is just sheer genius. It’s “Table for One” however that for me has to be the crowning glory, on what for me is a masterpiece waiting for worldwide adulation and accolades. This is a track that I played over and over again. Bloody marvelous.

A final note, the CD I reviewed appears to be in a slightly different order to the album as it appears on iTunes. Just thought I’d mention it, before I get the usual emails.

Conclusion : What more can be said. I’m listening to “Table for One” as I write this conclusion and I can feel the hairs go up on the back of my neck. I have discovered a work of art. Now it’s your turn.

• Band / Artist : Robert Bray - mySpace
• Genre : Alternative / Experimental / Acoustic
• Sample Track Download : Optimisanthropy
• Buy CD : Artists Store
• Buy Digital Download : N/A
• Rating : 9 out of 10

There was something that always bugged me, when listening to Robert Bray, and that was he reminded me of someone who I just couldn’t place. Sitting down to do this review and it just came to me, he reminds me of Double, a Swiss band I think, who had a hit in the 80’s with “Captain of her Heart”. Admittedly the musical styles are quite different, with Robert being more Alternative / Acoustic than Pop, but for me, there’s just something that joins the two.

Opening with “What Were You Thinking”, there’s a wonderful, freshness and calming feeling that washes of you when the track begins. There’s also a wonderful Pink Floyd feel to the track, with an organ/synth that subtly underpins the track and a gorgeous piano that plays throughout. Robert’s vocals, are clear and distinctive, but for me, they compliment the music, rather than the other way round, certainly for this track anyway. “Optimisanthropy”, which being a mouthful, again musically stands out, with some wonderful acoustic guitar. More organ/synth interject, this time however, I’m more reminded of The Beatles’, “Strawberry Fields”. It’s obvious that here is an artists with a wide breadth of musical influences, who’s not afraid to draw from them, but also not afraid to experiment. This is a track that keeps surprising, and indeed surprised me, as it became my firm favourite on the EP.

“Lord Cornflower’s Lament” is a perculiar track, but it somehow comes as no surprise. At a tad under two minutes, it kind of feels like a piece of self indulgence, with what sounds like oboes, or is it bassoons, I can never quite tell, but it sort of provides a wonderful interlude to the EP. “Catherine’s Waltz” is a track given to me by Robert a while back and already played on the podcast. Waltz’s are not something you hear much in contemporary music, the only artists I can think of who’s not afraid to try is Leonard Cohen, who takes a waltz and firmly places his stamp on it. The orchestra on this track is wonderful, you just don’t get enough strings in todays music.

Closing with “April (Part II)”, an instrumental track, that rounds things off beautifully. I never really thought of the music that Robert played to be experimental, which is one of the genres he describes his music as, but this EP is certainly that, but in an assured way. Having reviewed Robert’s previous work “Ludo”, I was certainly excited to get this EP in and it exceeded my expectations in every way.

Conclusion : A great EP, which goes off in many directions, but still manages to hang together exceptionally well. With Robert’s new band, the Predecimals promoting their new album, I’m hoping that Robert still manages to continue recording, giving us some more of this rich vein into which he’s tapped.

• Band / Artist : Andrew Belle - mySpace
• Genre : Pop
• Sample Track Download : Replace Me
• Buy CD : Artists MySpace Page
• Buy Digital Download : iTunes
• Rating : 8.5 out of 10

I was fortunate to receive near final mixes of two tracks from this, the latest EP from Andrew Belle and they certainly left me hungry for more. The EP has now dropped in my lap and has not disappointed.

The first track, “I’ll be Your Breeze”, reminds musically of Coldplay as indeed to many of the vocals on this EP, but have a much looser feel and a tempo that engages. Before long, you find at least one of your limbs, or indeed head keeping beat. The vocals for me, are what stand out most, being very easy on the ear, a wonderful tone with just a hint of a raw edge, that really adds a nice dimension. It’s funny, maybe falsely, I was under the impression that this was going to be the title track, instead this honor goes to “All Those Pretty Lights”, which is a great track, but “I’ll be Your Breeze” as that intensity that for me, really sells this collection of 5 tracks.

“In Your Sleep”, starts as a much more laid back, acoustic guitar driven track, that slowly builds into a more produced work. Whilst I love this style, I can’t help wanting to hear a more stripped back and bare track, to let the vocals stand out a bit more. This want, is filled to some degree with “Signs of Life”, but again, the production fills in and I feel that Andrew’s true talent is being shrouded somewhat.

The final track “Replace Me”, again grabbed me with the vocals. Like the rest of the tracks on the EP, it’s a tad over 4 minutes, but it has that rare quality, where you find yourself at the end of the track, thinking it’s only been on for a short while. I also love the piano that is delicately laid down, but seems to shine at just the right moments.

Conclusion : This is a great EP, from an incredible talent. The only criticisms I have, are more selfishness on my part, rather than any lacking on Andrews. He has a great voice, and I’d love to hear more of it. Maybe on the next release something purely acoustic, with just Andrew and a guitar.

• Band / Artist : Hotrod Cadets
• Genre : Pop / Rock
• Sample Track Download : Walking in the Rain
• Buy CD : CD Baby
• Buy Digital Download : iTunes
• Rating : 9 out of 10

Long time overdue for review, this cracking album has been out a few months, but hasn’t been totally ignored as I’ve been listening to it in constant rotation with some of my other favourites. “Something in the Engine” is a follow up to 2005’s Breaking Up, and amongst the first albums first reviewed on Indie Launchpad. Back then they were also blazing a trail with podcasters, allowing their music to be featured, when other bands weren’t too sure. This means that in the podcast community, listeners included they are no stranger.

When I find bands I’m really into, I can be a bit of a pest, I think Alastair from the band can attest with that, as I try to keep in contact, finding our how new albums are going. Alastair put up with me and fed me a track here or there from the new album, so when the new album dropped, I pretty much new what to expect and was not disappointed.

This album feels much more complete, with a fuller sound. I loved the previous album, but this one feels more like a band, than a solo effort. Opening with “Mean Machine”, just the first few bars gave me goosebumps when I put it on, as it was so undeniably the Hotrod Cadets. This is further reinforced when you hear Alastair’s lilting Scottish brogue, something I love to hear in music, as I think some bands try too hard to hide their true voice. “Satellites” again has that unmistakable sound, with some accordion thrown in for good measure. Yes I said accordion, but don’t let that put you off, as soon as you hear it, you realise that this track just wouldn’t be the same without it.

If you nailed me to a wall, and only released me if I picked my favorite tracks, they would have to be “Lost Again”, with it’s quirky wonky guitar intro (love it), the title track, “Something in the Engine”, which has that feeling of striving to arrive, if that makes sense, and “Fly” which for me is the icing on a most wonderful cake, along with the wonderful “Sinking Fast”. If you don’t have to nail me to a wall, then I’d just say the whole album, is full of great tracks, with quirks aplenty, but quirks that bring a welcome smile and a gentle cosseting of the ears.

When the album came to a close I had those mixed feelings wash over me, the one where I’m excited to hear a new album from a band I love, but at the same time, a pang of sadness, that it’s probably going to be a while before the next one. Let’s just hope the next one arrives a bit quicker than “Something in the Engine”.

Conclusion : A welcome return from a band that are firm Indie Launchpad favourites. An album that’s a sheer joy to listen to and certainly one that will enhance your existing collection of music.

• Band / Artist : Caves - mySpace
• Genre : Minimalist / Progressive / Glam
• Sample Track Download : Closure
• Buy CD : CD Baby
• Buy Digital Download : iTunes
• Rating : 8.5 out of 10

Maybe I’m an old fart who likes to dwell in past musical glory, but here’s an album, that draws on many of the bands, that I grew up with, The Specials, The Clash, The Cure and many others, most of whom strangely seem to begin with “The”. Hearing that undeniable similarity, but with a modern sheen, is a brilliant feast for my ears. On the bands website their genres are listed as Minimalist, Progressive and Glam. Not wishing to contradict them, but I would more put them at Rock, with a hint of Reggae and Ska. You could probably add to that a touch of Pop, but this is by no means a pop record, as it feels lot more grown up, but then maybe that’s my memories skewing my thoughts.

The CD opens with “Curiosity” and it’s hear that The Specials came to mind. Vocally however there a hint of something more theatrical, which I suppose is where they see the Glam coming in. The title track “Get On With It”, filled in the missing piece, of the band I was trying to think of when making comparison, that band being The Beat, or The English Beat as they were known in North America. This band fits them like a glove, but a loose fitting glove, as they manage to carve out a sound all of their own, but the influence is unmistakable, even if in all probability it’s totally accidental.

This is another one of those albums, that just flies by in a blink of an eye. Not that 45 minutes is too short a length, it’s just the result of well crafted music, which washes over you. Particular tracks of note for me are the aforementioned title track, “I Lied” which is one of those tracks that starts relatively slowly and builds nicely. Rounding off my picks for the album are “Without Thinking” and “You(Plus)Me”.

The only song I felt slightly missed the mark was “Samurai”, which has a much darker tone and a much different sound than the rest of the album and for that reason stood out and just jutted out like an awkward angle.

Conclusion : A fantastic find and an album that proved effortless to listen to. Really excited to see what the band comes out with next.